Bush yama and possum dreaming

Zigzag bands run the full width of the board in yellow, orange, cream and white, banked against a near-black ground and anchored by two concentric spirals set diagonally apart. The palette is desert — ochre, sun, bone — but the drawing is hard-edged and rhythmic rather than dotted.

The gallery's note records the artist as a leader whose work has been exhibited at the National Museum. The title is the artist's own, and its meaning belongs to him and to the community it comes from; we do not interpret it here. What the gallery knows of the work's history is a conversation with Ross.